The 2009 digital paintings are made on graphics tablet, a medium that gives me great freedom of expression.
The paintings are very versatile in terms of format (A4, 40x60 cm, 80x120 cm, and more) and the types of support they can be applied to (paper, canvas, Plexiglas, aluminium... and projections).
My work filters the vast reservoir that is television for characters.
I have all sorts of pictorial desires but the portrait is always tugging at my sleeve and gets the upper hand; above all it's a study of the human condition.
Life and its effects are my sources of inspiration; my figures are intended to represent the world from a perspective which is open to personal interpretation wherein the aesthetic is merely the visible facade of a troubling secret.
My art is not a narrative rather a web of existential snapshots. Painting is not meant to be expressed with words, the most important thing is that the image exists, that it interrogates the gaze and calls out to the viewer, and gives free rein to the imagination.
My work with television and photography allows me to remain in contact with the problems which are specific to painting and drawing, and which are necessary to the process of ideation.